WASHINGTON 鈥 G.E. Smith has one of the best resumes of any guitar player in history.
He’s been a go-to sideman for decades, from the radio heyday of Hall & Oates to television fame as the leader of the “Saturday Night Live” band, from four years on the road with Bob Dylan to six years with Pink Floyd鈥檚 Roger Waters 鈥斅燼nd those are just the high-profile gigs.
What’s the key to success after all these years?
“Big ears,” Smith joked with 草莓传媒. “That means you gotta hear everything … Force yourself to figure out a song you don鈥檛 like. You鈥檒l learn something. Of course, you learn a bunch of stuff you do like 鈥 and that鈥檚 inspirational 鈥 but you have to listen to everything. You have to hear whatever’s playing on the car radio, whatever鈥檚 playing in the market when you鈥檙e waiting to pay for your food, whatever鈥檚 coming out of the ceiling. Listen. Always listen.鈥
This Saturday,聽Smith plays in Northeast D.C., alongside Jim Weider (formerly of The Band and Levon Helm Band) and D.C. guitar hotshot Tom Principato, paying tribute to Roy Buchanan and including music from Little Richard, Bo Diddley, Sam Cooke and more.
Masters of the Telecaster
The show is billed as Masters of the Telecaster, a reference to the Fender Telecaster, the first commercially available, solid-body electric guitar. Smith and Weider comprise the core of the group, then they find a local Telecaster player in each town to make it a trio.
Smith said the name of the show was Weider鈥檚 idea.
鈥淚 would never call myself the master of anything,” Smith said. “I try to see the irony in the name.”
The Telecaster has a personal meaning, as his mom bought him one at age 11 in 1963.
“I still have that guitar; I鈥檒l be playing it at the show,” Smith said. “It鈥檚 what I learned to be me on, so to me, it鈥檚 everything. I made my whole career and living and stuff playing that guitar.鈥
By then, he was already a veteran guitarist. At age 4, he saw a battered acoustic guitar hanging on the wall of his basement.
鈥淚 just got obsessed with it,” Smith said. “I got fascinated by watching the strings vibrate and that it made sound, and that was it.鈥
This particular show gives Smith something he didn鈥檛 get in some of his more high-profile gigs.
鈥淲hen I鈥檓 playing with someone else, I鈥檓 playing their music, I鈥檓 working for them, and I鈥檓 in service of the song they鈥檙e doing,鈥 Smith said. 鈥淲ith this, because it鈥檚 our thing. I can stretch out. We try to pick good songs, but it鈥檚 about playing.鈥
In addition to the Telecaster shows, he can be found backing his wife, singer-songwriter Taylor Barton. He also has standing gigs in the Portraits series, in which Smith and one other musician get on stage together in a relaxed, small setting for music and conversation. Past guests have included Waters, Billy Squier and actor Ethan Hawke, who “plays guitar and sings. He鈥檚 quite good.” Soon, he鈥檒l do a Portraits show with British guitar legend Richard Thompson.
鈥淲e鈥檒l play a song and we鈥檒l talk about it,鈥 Smith said. 鈥淲e鈥檒l play two songs and we鈥檒l talk about it. We鈥檒l play a part of a song and we鈥檒l talk about it. 鈥 It鈥檚 a real conversation.鈥
Sideman
Despite headlining his own shows, Smith said the side of the stage is his home.
鈥淚 never really wanted to be the frontman,” Smith said. “I wanted to be the sideman.鈥
When he saw Elvis Presley play, he鈥檇 concentrate on guitarist James Burton. When he鈥檇 watch the Rolling Stones, he鈥檇 concentrate on guitarists Keith Richards and Mick Taylor.
鈥淢aybe it鈥檚 just less pressure; I don鈥檛 know,” Smith said. “To me, it鈥檚 always about the song. And I love to play with good singers, and I鈥檝e been fortunate to get to play with some really good singers along the way,鈥 singling out Daryl Hall as an example.
Smith picked up a wide range of skills growing up as a bar-band guitar player.
鈥淚 learned hundreds of Top 40 songs 鈥 learned how to play them just like the record. 鈥 And that was a great school for me,” Smith said.
That taught him the importance of musical diversity, as well as the desire to 鈥渟erve the song,” which means playing what works best in conjunction with the rest of the band.
鈥淲hen (I) hear the vocal melody, it tells me what to play,” he said.
He got a different musical education in the聽“Saturday Night Live” band, allowing him to play with some of the best musicians in New York.
鈥淭hey were real musicians; I鈥檓 just this bar-band guy,” Smith said. “I learned so much playing with them. 鈥 Very few people could afford that band. It took a corporation like NBC to pay that band.鈥
Staying cool
Playing in front of millions on television or a stadium in front of 60,000 people might sound daunting to most people, but Smith said he feels the opposite.
鈥淲hen I put that guitar on, that鈥檚 the only time I鈥檓 not nervous. … The rest of the time 鈥 just walking around through life, I鈥檓 nervous. When I put the guitar on, I鈥檓 comfortable; I鈥檓 OK.鈥
Amid doing more than 200 “SNL” performances, 鈥渁fter a while, you鈥檙e just doing your job.鈥
On Waters鈥 “The Wall” tour from 2010 to 2016, Smith said he and the rest of the band would stand on their spots on stage in darkness before the show and look out at the stadium crowd.
鈥’OK, this is real 鈥 you鈥檙e really here, but don鈥檛 get used to it, because it鈥檚 not real,鈥” Smith said he would think to himself. “You can鈥檛 take yourself too seriously or you鈥檒l go insane.鈥
Luck
Big ears, a calling to serve the song and a down-to-earth attitude sound like the building blocks to a star-studded career, but to hear Smith tell it, a lot of luck was involved, and still is.
鈥淚 was lucky when I started with Daryl and John,” Smith said. “I was a young man in my 20s 鈥 and they were just coming into the period where they got huge.鈥
While he鈥檇 enjoy a new sideman gig, he鈥檚 not grabbing for it.
鈥淚鈥檓 not specifically looking,” Smith said. “I was never a real ambitious guy. I was lucky. One thing would end and something else would pick up. But we鈥檒l see what comes along. Something always comes up. I鈥檝e always been lucky.鈥
Masters of the Telecaster play at City Winery, 1350 Okie St. NE, Saturday night at 8 p.m. Tickets range from $25 to $35. You can or call 202-250-2531.
